Reality and Expectation

I’ve noticed a recent phenomenon: students comparing themselves to other people playing on YouTube.

I hear (paraphrased) “I’m not as good as this guy playing this online”, or “this guy can play this online so well, why can’t I?”.

I think I know the root cause of this, and I’d like to diagram why it’s flawed, and an unhealthy attitude.

There was a time when “art”, as a concept, was universally known as something that was inherently “limitless”. Which is to say that, while one could practice the craftsmanship of it, the result was beyond the scope of human comprehension: what came out contained so many variables that it had to be the combination of so many factors it couldn’t be readily quantized into a purely formulaic approach.

There is the concept of theory, which merely explains the components and their interactions. The theory itself does not create the result. The result is a purely human thing. Likewise, the mechanics and technique in pursuing a result doesn’t automatically create the result, either.

YouTube does not show those two aspects: what went into attaining the knowledge of what created the result, and what effort went into acquiring the technical/mechanical skill that occurred before it went on YouTube.

That process (which is a part of taking guitar lessons) is something that there is no clearly defined analogy for. It’s kind of like studying to be a doctor. It’s kind of like learning the craft of sculpting, or painting. It requires “anthropological” study, like history – one has to know what came before. In other ways it’s nothing like those things at all.

The modern day thought that a process to do something can’t be tidily broken down into defined, component parts with a defined, predictable outcome, is non-existent. In the 21st Century, one can take a class to learn to do anything, and in a given amount of time, and with a clearly defined outcome. It’s how everything works today: you do not do anything without formal training of some sort, and that training always, automatically imparts exactly what you need to know.

Playing a musical instrument doesn’t work that way. Thankfully, it doesn’t – or else it would be quite boring. You shouldn’t take guitar lessons expecting to be able to do exactly what you see someone on YouTube doing. You probably don’t have the exact same motivation, the exact same background, the exact same experiences. Which isn’t to say one shouldn’t try; because the pursuit of it will create it’s own unique outcome. The problem occurs when one sets preconceived ideas into motion about how long it should take, and how much effort is involved.

One should have an appreciation for the variety of results that comes from different musicians, and know that time invested is the only common factor. That time investment can be spread over a week in 1 hour increments, 5 hour increments – or 30 minutes per week over years. As a field of study, there are countless avenues; you can’t devote yourself to everything at once.

There was a time when, if a person could make a musical instrument do anything resembling “music”, it was looked upon as an accomplishment. There are billions of people on the planet; that on YouTube there are thousands demonstrating different things on musical instruments in varying degrees should not deter someone from pursuing their own musical interests. Once you start playing an instrument, on whatever simple level, you are playing an instrument. You are now different than you were before, and different from the Other People on the Planet that Can’t Play an Instrument. That should be a worthy accomplishment in itself; being concerned that there’s a 10 year old kid in Taiwan playing a VanHalen guitar solo double speed should not enter into the equation.

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Fallan and Emily Play “In My Life” by the Beatles

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The Secret Galaga Phrase

The daily auditory sensory overload, courtesy of Josh Timmerman. “Two Guitarists + Fingerboard Symmetrical Diminished/Altered 9 licks”:

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David Bash Plays Original Metal Music (with Xylophone)

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The Strange and Abstruse World of Guitar Pickup Descriptions


I recently installed a Dimarzio Area 58 and EJ Custom pickup in one of my guitars. They’re great. That amazes me because it’s the first time I bought pickups I’ve never heard before, just based on the specifications/inductance figures.

Almost. I did temper that with a lot of anecdotal descriptions. Which is a dangerous thing in the guitar world, because people have very different ideas about how to describe what they’re hearing – or think they’re hearing.

I think pickup manufacturers (and gear manufacturers in general) take advantage of that a little bit. The following are some excerpts from different pickup manufacturer sites, descriptions of what their pickups sound like:

“The result is an almost vocal, three-dimensional sound that jumps off the string faster and stays true as it sustains. ”
“They’re bright and have great presence without sounding thin. ”
“The highs are actually bigger and smoother than either model.”
“are not polite-sounding, and they’re not for the inexperienced, but – if you’ve got the chops and a hot amp – your sound will burn.”
“Its treble response is warmer and smoother while bass response is tighter and brighter.”
“a unique mid-range “growl” that’s a result of a hand-calibrated magnet structure. ”
“a deeper sound from the low strings without losing any punch”
” It has a warm, smoky sound, fattens up ”
“Single notes have weight and presence, and chords have detail and dimension. ”
” organic and open tone while still maintaining the clarity and response”
“beautiful round tones”
“sound is full and expansive”
“it’s louder and the highs have more depth. The lows and mids are more open”
“big, open sound with just a subtle hint of glass”
“The tone is big and percussive without being too harsh.”
“vintage-style punch and ripping tone that will sear through almost anything”
“design retains the depth and the sparkle that is the hallmark of vintage tone.”

If only it were that simple.

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Student Robert Long plays “Creep” by Radiohead

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Former student Walker Howle’s band _Dead Confederate_: the making of “Sugar”

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Improv with student Tyler Willing

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Student Mike Posada plays “More Than a Feeling”

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Student Demo (old)

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